1/27/2024 0 Comments Overlord moviesThe Imperial War Museum (IWM) became involved in the project and James Quinn, one of the Trustees of the museum, commissioned a young film-maker named Stuart Cooper to make a documentary about the making of the Tapestry, using authentic archive film alongside the work of the embroiderers.Īs the project developed, however, it was clear that there was going to be nowhere large or suitable enough in the IWM to display the work which came out as the longest embroidery in the world at 272 feet – 33 feet longer than the Bayeux Tapestry. The Overlord Embroidery, as it became known, told the story of the build-up to D-Day in 34 panels. It was intended as a sort of Bayeux Tapestry in reverse, and was to be finished by the 13th anniversary of D-Day in 1974. In the late 1960s Lord Dulverton of the rich Wills tobacco family, commissioned a vast Tapestry of the 1944 invasion of northern France. However, the origins of the film lay with a completely different project altogether. This creates an extraordinarily realistic portrayal of the run up to the greatest amphibious military operation of all time. The film interweaves its central narrative performed by suitably young actors with genuine archive film of the preparations for D-Day. As the day of the invasion approaches he has a repeated premonition of his death. The film tells the story of a young recruit conscripted into the British army in 1941 who is slowly turned into a soldier and who then trains for D-Day, becoming a cog in a great machine of war. While the museum has worked closely with many television companies on documentary productions over the decades, Overlord uses the museum’s resources in the production of a drama-documentary intended for cinema distribution. Stuart Cooper’s film Overlord (1975) is the only feature film ever produced by the Imperial War Museum. Using a combination of archive footage from WWII and feature footage, Overlord captures the essence of the war with chilling realism. Taylor Downing remembers Stuart Cooper’s ground-breaking 1975 World War II film.
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